Borrowed Light

Tero Saarinen cites the ritual essence of dance, a dedication to work and community and minimalistic aesthetics as the key elements in this work, which draws its inspiration from the revolutionary Shaker movement of the 18th and 19th century.
“Powerful, elemental, and unforgettable.”
- The Boston Globe

Creative Process

Choreographer Tero Saarinen has been intrigued by the Shakers since the late 1980’s, when he first saw a documentary about Doris Humphrey’s Shaker-inspired choreography. The strong communal values and strikingly beautiful, functionalistic aesthetics of this radical religious movement of the 18th and 19th centuries made a strong impression on Saarinen. Over the years, he continued studying Shaker architecture, design and ideas.

At the start of the 21st century, Saarinen came across The Boston Camerata album Simple Gifts. The music’s manic repetition touched him deeply and the idea of a new work began fermenting in his mind. In 2002, he contacted Joel Cohen, then Artistic Director of The Boston Camerata, about the possibility of a joint production.

The co-creative process with The Boston Camerata began with Cohen humming melodies to Saarinen. The selection of 20 Shaker songs was made from an archive of hundreds – some never published before. Saarinen and Cohen met several times in Europe and the U.S., and also travelled to the Sabbathday Lake Community in Maine to meet the four remaining Shakers still alive at that time.

It took eighteen months of hard work for Saarinen and his collaborators to finalise the choreography and the visual form of Borrowed Light. The work is named after the architectural practice, common for the Shakers, of building windows into interior rooms, thus maximising daylight and productivity. Saarinen and his trusted collaborators, Lighting and Set Designer Mikki Kunttu and Costume Designer Erika Turunen, approached light as a religious metaphor. The visual appearance of the work is rooted in the aesthetic of frugality and the accentuation of opposites. The costumes combine heavy felting with airy, transparent fabrics. The lighting design emphasises the opposite worlds of mystical shadows and piercingly bright light.

Even though the entire production team did not meet in one place until a week before the premiere, the xtended working period and the devotion of all the artists involved allowed these teo ensembles to be seamlessly integrated into each other, into one performance.

Despite the strong influences of the Shakers, Borrowed Light addresses the themes of communitarian society on a general level: “My main source of inspiration was the Shakers and I ended up using only original Shaker music, but this work is not about Shakerism. It is about community and devotion. To me the nature of total commitment – whether religious, artistic or political – is fundamentally the same.”

70 minutes
8 October 2004, Octobre en Normandie, France
Tero Saarinen Company (Finland) In collaboration with Octobre en Normandie (France), Dansens Hus (Sweden) and Kuopio Dance Festival (Finland) and Festival Civitanova Danza (Italy), Le Volcan – Scène Nationale du Havre (France), Teatri di Civitanova (Italy), Atelier 231 –Pôle régional des Arts de la rue (France). Supported by Culture 2000 programme of the European Union, Ministry of Education and Culture in Finland, National Council for Dance in Finland and Florence Gould Foundation.

Borrowed Light

Choreography Tero Saarinen
Original Shaker music edited and arranged by Joel Cohen
Music direction Joel Cohen and Anne Azéma
Lighting and set design Mikki Kunttu
Costume design Erika Turunen
Sound design Heikki Iso-Ahola
Singers The Boston Camerata
Dancers Tero Saarinen Company

”Best of 2006” (10 Best List)

- The New York Times, December 24, 2006 (USA)

”Important production (2006)” ”Prominent choreographer (2006)” ”Remarkable group (2006)”

– Ballett-Tanz, Das Jahrbuch 2006, listings by critics Michael Crabb (Canada), Ora Brafman (Israel) and Akiko Tachiki (Japan)

“Supreme Artistry”

– The Australian, March 3, 2008 (Australia)

”Powerful, elemental and unforgettable”

- The Boston Globe, 31 December, 2006 (USA)

”The Best Contemporary Premiere (2004/2005)” ”Most Outstanding Performance (2004/2005)”

– Dance Europe, Critics’ Choice, October 2005 (UK)

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