Digital Duende

Jyrki Karttunen‘s beloved Digital Duende (1998) exudes deep emotion, and fascinates with its duality. A cool, Nordic interpretation of fiery Spanishness, and a flaunting display of wit, that made its choreographer an in-demand name at the turn of the millennium. The contemporary classic is now presented by Tero Saarinen Company at Dance House Helsinki in a new double bill with Imre and Marne van Opstal’s creation Heart Drive (2022).

In June 2023, Digital Duende will be interpreted in turns by Samuli Emery and Mikko Lampinen (9–13 June), plus Mikko Makkonen and Jussi Ulkuniemi (14–16 June). Tickets for all our 2023 productions at Dance House Helsinki are on sale now!

Jyrki Karttunen is one of Finland’s most internationally successful dancer-choreographers. In addition to his freelance career, Karttunen has worked as Artistic Director for Helsinki Dance Company and Karttunen Kollektiv among others.

It was Digital Duende, which premiered in 1998, that elevated the choreographer to prominence on the international circuit at the start of the millennium. The piece toured extensively in Europe as well as in Asia, Australia, Africa, and South America. In addition to more than a hundred performances by Karttunen’s own dance company, the duet has been included in the repertoire of the Bern Ballet for instance.

“[Digital Duende is] organic but never predictable.“
– The Irish Times, Ireland (2000)

“Astonishing fluency, combining the softness of Romantic ballet with the sinewy edge of modern dance. […] It was interesting to see a style of contemporary movement that is less assertive than usual, and admirably prepared in the finest detail.“
– The Sydney Morning Herald, Australia (2001)

“Our field has been distorted, so that we do not even really talk about past works, nor has it generally been possible to see them live anywhere. This can easily create the strange delusion that contemporary dance has no history. I see this as affecting the entire field and the respect it has. With Tero Saarinen Company’s programming we want to take responsibility for preserving and expanding the contemporary dance repertoire. Therefore our programme combines new premieres with classic works of contemporary dance, that have withstood the test of time.

Jyrki Karttunen‘s Digital Duende is an ode to dance, to the spiritual power of non-verbal movement. Together with the premiere of new generation dancemakers Imre and Marne van Opstal, it creates an interesting combination, the essence of which is passion, longing, desire, and the inner burning of the self.

– Tero Saarinen, Artistic Director

Choreographer's notes

Digital Duende (1998) is a significant work for me in many ways. In its original casting, I also took on the role of dancer. I tend to go back to it as if to check where I started as a choreographer, and to remind myself of an unhurried and playful state of creation, where I give space and time for solutions to arise from the question at hand. The work was born on a clean slate, not from any previous work. At the same time, it was born from everything I had considered as a dancer up to that point.

As the generator of movement-based empathy in my abstract works, the dancer is the most important of my working tools. The work of the choreographer is to create the shapes and frames of a piece. Yet even in all its versatility, this structure remains a mere hollow theory. Only the dancer can breathe life into a choreography.

In Digital Duende, the idea of including two parts in the work was already set in the title. The choreographic weaving, resembling the Windows operating system, is formed of simple chips of information, of ones and zeros. The choreography consists of six movement phrases, two symmetrical solos, and one scene built on structural improvisation. The overall duration of 30 minutes is reached by adjusting the qualities of these movement scores and materials, as well as the spatial layout and continuum.

It is however only the duende, the spirit that the performer breathes into the situation, that transforms the empty form into a structure. According to Federico García Lorca, the arrival of duende brings with it the qualities of a newly created rose. The choreographer can attempt to direct interpretation along a desired path, but the final emphasis in the viewer’s experience is supplied by the performer. The dancer’s interpretation is always key for the presentation of mathematical structures as such, and also for the spectator’s experience and understanding of the piece.

Thanks to Digital Duende, I became more and more aware of the fact that the content of a dance piece is often just as vast as its presentation. In this sense, the performative situation and the work of the dancer have also become the cornerstones of my choreographic works.

– Jyrki Karttunen

Abridged from Hannele Jyrkkä’s collection of articles on Finnish choreographers, Tanssintekijät (2005).

– The Sydney Morning Herald, Australia (2001)

“The star of Full Moon 2000 – and, indeed, of the present crop of Finnish dance-makers – was undoubtedly the unassuming but patently gifted Jyrki Karttunen. […] wigglingly playful fascination with Spanish dance seen in his international breakthrough, Digital Duende.“

– Dance Theatre Journal, UK (2000)

“Organic but never predictable.“

– The Irish Times, Ireland (2000)

“a clever take on flamenco, not just flamboyant dance but the passionate macho culture.“

– Sunday Tribune, Ireland (2000)

“Performed by choreographer Jyrki Karttunen and Teemu Kyytinen and imaginatively lit by Kimmo Karjunen […] It goes deeper than merely performing the same movement in harmony for their inner reflections seem to coalesce as well.“

– The Citizen, South Africa (2000)

“Karttunen has established his works with a twinkle in his eye before, so again, throughout the half- hour performance the audience shook with laughter due to his witty and humorous little ideas. It’s simply wonderful to have a choreographer, who takes his job in earnest, yet not at all without humour.“

– Demari, Finland (1999)

“a Beckettian landscape as the unlikely backdrop for a finely crafted and energetic piece of physical celebration.“

– Resolution! Reviews, UK (2000)

Double Bill: Van Opstal | Karttunen

The double bill presented by Tero Saarinen Company at Dance House Helsinki in June 2023, is a thrilling combination of a contemporary classic – Digital Duende (1998) – and a new creation from the European vanguard, Imre and Marne van Opstal. Heart Drive (2022) is an exploration of love, connection and pleasure, as well as the stigmas and moral taboos that exist within.

Lenght of the evening: 80 minutes (inc. intermission)

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TSC at Dance House Helsinki in 2023

Tero Saarinen Company presents three performance seasons at Dance House Helsinki in 2023.

In March you can experience the unique collaboration, Third Practice by Tero Saarinen Company and Helsinki Baroque Orchestra – finally live in Helsinki!

In June TSC’s double bill combines a new creation Heart Drive with a Finnish contemporary dance classic Digital Duende.

In October Saarinen’s large-scale choreography Transit returns in our programme by popular demand.

Check out our programme and get your tickets for our home seasons!

2023 Helsinki-seasons