Digital Duende

Jyrki Karttunen is one of Finland’s most internationally successful dancer-choreographers. In addition to his freelance career, Karttunen has worked as Artistic Director for Helsinki Dance Company and Karttunen Kollektiv among others.

It was Digital Duende, which premiered in 1998, that elevated the choreographer to prominence on the international circuit at the start of the millennium. The piece toured extensively in Europe as well as in Asia, Australia, Africa, and South America. In addition to more than a hundred performances by Karttunen’s own dance company, the duet has been included in the repertoire of the Bern Ballet for instance.

“Our field has been distorted, so that we do not even really talk about past works, nor has it generally been possible to see them live anywhere. This can easily create the strange delusion that contemporary dance has no history. I see this as affecting the entire field and the respect it has. With Tero Saarinen Company’s programming we want to take responsibility for preserving and expanding the contemporary dance repertoire. Therefore our programme combines new premieres with classic works of contemporary dance, that have withstood the test of time.

Jyrki Karttunen‘s Digital Duende is an ode to dance, to the spiritual power of non-verbal movement. Together with the premiere of new generation dancemakers Imre and Marne van Opstal, it creates an interesting combination, the essence of which is passion, longing, desire, and the inner burning of the self.

– Tero Saarinen, Artistic Director

Digital Duende (1998) is a significant work for me in many ways. In its original casting, I also took on the role of dancer. I tend to go back to it as if to check where I started as a choreographer, and to remind myself of an unhurried and playful state of creation, where I give space and time for solutions to arise from the question at hand. The work was born on a clean slate, not from any previous work. At the same time, it was born from everything I had considered as a dancer up to that point.

In Digital Duende, the idea of including two parts in the work was already set in the title. The choreographic weaving, resembling the Windows operating system, is formed of simple chips of information, of ones and zeros. It is however only the duende, the spirit that the performer breathes into the situation, that transforms the empty form into a structure. The choreographer can attempt to direct interpretation along a desired path, but the final emphasis in the viewer’s experience is supplied by the performer.

Thanks to Digital Duende, I became more and more aware of the fact that the content of a dance piece is often just as vast as its presentation. In this sense, the performative situation and the work of the dancer have also become the cornerstones of my choreographic works.

– Jyrki Karttunen

Abridged from Hannele Jyrkkä’s collection of articles on Finnish choreographers, Tanssintekijät (2005).

Choreography Jyrki Karttunen
Lighting, set and sound designer Kimmo Karjunen
Rehearsal Director Henrikki Heikkilä

Dance
Samuli Emery, Mikko Lampinen 
Mikko Makkonen, Jussi Ulkuniemi 

Nomadi Productions | Re-premiere in Tanssin talo 2023: Tero Saarinen Company

Soundtrack by Kimmo Karjunen: Saint-Preux: Concerto pour une voix. Performed by The London Symphonic world, 1995 Pomme music. | C. Curet Alonso: Puro Teatro. Performed by La Lupe, 1969 Tico records. | Hugues Le Bars: Mets l ́ange. Performed by Hugues Le Bars, 1991 Nocturne. | Trad.: Se nos rompió el amor. Performed by Fernanda & Bernarda de Utrera, 1990 Pasarela S.A.Ch. | Navarro: Lo Dudo. Performed by Los Panchos, 1990 CBS Records 466808 2.